#Jaki Liebezeit

[jt1674]

[de-salva]

CAN - Sing Swan Song

Alb. "Ege Bamyasi" (1972)

Personnel:

Irmin Schmidt, Jaki Liebezeit, Michael Karoli, Holger Czukay, Damo Suzuki

[musickickztoo]

Jaki Liebezeit  *May 26, 1938

[savage-kult-of-gorthaur]

HOLGER -- MICHAEL -- DAMO -- IRMIN -- JACKI.

PIC INFO: Spotlight on a rare live shot of German experimental rock/progressive rock/krautrock band, CAN, with the late, great Damo Suzuki on vocals, c. early '70s, venue & location unknown. Archive Photo by @chromedreams/Wolf Arnold.

Source: www.picuki.com/media/2939567307371149032.

[guerrilla-operator]

CAN

[gummyartstradingcards]

[evil-wawe-form]

Listen/purchase: LIVE IN PARIS 1973 by CAN

[roguetelemetry]

Eurythmics debut album has Krautrock/Cocteau Twins vibes, thanks to Kraftwerk producer Conny Plank who recorded it in his Cologne studio, with musicians Clem Burke from Blondie & Hölgar Czukay and Jaki Liebezeit from Can. Released Oct. 1 1981

[mywifeleftme]

348: Holger Czukay, Jah Wobble, Jaki Liebezeit // Full Circle

Full Circle Holger Czukay, Jah Wobble, Jaki Liebezeit 1982, Virgin

One-off forces-joining of founding Can guys Jaki Liebezeit (drums) and Holger Czukay (too many instruments to get into here) with ur-dub bassist Jah Wobble of Public Image Ltd, Full Circle is the rare “supergroup” album that genuinely does sound pretty much exactly like you would imagine it would based on the C.V.s of the guys involved. This is a good thing: five bass-driven jams that move like a slinky walking down a flight of stairs in slow motion, and one freaky club track that seems like it could genuinely get a room going even on the normal side of town. Full Circle is a much easier listen than basically any PiL or Can record, which I suppose means it’s less “challenging,” but sometimes that’s okay—this is just another chapter in the story of three guys who understand rhythm about as well as anyone on the planet, and it’s a pleasure to have the opportunity to listen in.

The format is mostly Liebezeit and Wobble locking into a low-key groove and seamlessly developing it over five to ten minutes, while Czukay adds a variety of peculiar noises over top using organ, guitar, French horn, and a proto-sampling technique he called “rhythm painting.” Admittedly, a lot of the songs don’t give the sense that they’re going anywhere, exactly, but I like music that has a ton going on that also seems optimized to become the ambient texture of an experience. It’s the difference between walking through a squeegeed hallway and an alley covered in graffiti—I might not be reading every tag, but moving through all these rugged human details keeps my brain ready for the possibilities of the night.

348/365

[saramencken]

Eno on his Can Remixes

[jt1674]

[de-salva]

CAN - One More Night

Alb. "Ege Bamyasi" (1972)

Personnel:

Irmin Schmidt, Jaki Liebezeit, Michael Karoli, Holger Czukay, Damo Suzuki

[musickickztoo]

Jaki Liebezeit  *May 26, 1938

[musicandoldmovies]

Holger Czukay, Jah Wobble and Jaki Liebezeit - How Much are They?

From the compilation album The Best of New Wave Club Class-x

[savage-kult-of-gorthaur]

FILE UNDER: PROGRESSIVE ROCK -- PSYCHEDELIC ROCK -- SPACE ROCK -- AVANT-FUNK -- KRAUTROCK.

PIC(S) INFO: Spotlight on a record advert for "Ege Bamyası," the third studio album by German experimental/ progressive/ krautrock band CAN, released on November 29, 1972 by United Artists Records.

PIC #2: A group shot of CAN, c. 1972, during the band's "Ege Bamyasi" era, sans Irmin Schmidt, who played farfisa organ, electric piano, & electronics.

Source: www.picuki.com/media/3403918072849802691 (Picuki 2x).

[guerrilla-operator]

CAN